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3K to 4K Phono Pre-Amp

Background: I am trying to upgrade to my ultimate analog set-up. I think the first step should be an new Phono pre-amp capable of supporting high-end MC eventually. I have read the controversy of step-up vs new phono preamp, but I am leaning to the new phono preamp. I have a Cary SLP-98P and love it.

Question: In the $3K to $4K range, what is the best match to a Cary AMP/Pre-AMP/Horn system that would provide good versatility as I later upgrade my cartridge and TT. I have read about the Aesthetic Rhea, AcousTech PhD, and several others but I simply don't have the experience or access to this equipment to help decide.

Cartridges that I may eventually purchase include Koetsu, Shelter, Transfiguration, or comparable. It depends on the tonearm I end up with.

Thank You
cardiackid
verybigamp
63 posts
 
BTW, to add to the what I said: I never pursued you phonocorrector because it has 2 more tube/stages that I feel is necessary for a “correct“ MM corrector.

Rgs,
The Cat
hagtech
173 posts
 
Romy,

Thank you for your answer. It's a very bold statement that there are no good phono stages being made today. Same with turntables, arms, and magnetics.

As a designer, I'd be happy to explain why our analog culture is screwed up and that products have digressed over time - if I actually believed it. And I don't. So we differ on opinion here.

Perhaps you could suggest a few examples of vintage products that are better than anything sold today?

jh
ronyweissman
3 posts
 
Hi Romy, you should try the local guy I find in Paris. He will make you a passive step-up for around Euro 200 that will raise all the hairs on the cat's back, he also makes a tube phono stage which is terribly simple, very cheap and won't confuse the Prelude to Lohnegrin with Gorecki.

RonyW
verybigamp
63 posts
 
*** It's a very bold statement that there are no good phono stages being made today.

Yes, it is unfortunat it is a sad fact. I have tried the majority of them and can testify that none of them can do what I consider accentual. That is why, I am being very much not DIY person, run all my 3 phonostages that are NOT commercial phonostages. Whatever I have seen/heard heard commercially available was good enough only for TT with 3 ponds acrylic platter TT, plastic tonearms with coca-cola needles, little ported fart-machine speakers and Patrica Barber screaming from a “wide soundstage”.

Rgs,
Romy the Cat
cardiackid OP
63 posts
 
Thank you all - very interesting discourse. Clearly there is a lot of controversy surrounding phonostage preamplification and the current state of the analog art.

Regardless of whether one considers a commerical or DIY endeavor, what are the key design decisions that impact on phono preamp sound.

Secondly, how closely matched or restricted must the cartridge selection be to given a specific phono preamp selection.

A very low output cartridge needs 60 or more dB of amplification. How does one assess how much strain on the preamp this entails, how does that strain affect speed, resolution, transparency, and noise?.

Basically, how does one objectively break down the merits of a phono preamp design or upgrade and select candidates to listen to and purchase?
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