Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

The Frogman Lives!!!!

We were speaking of Willie Nelson and Bob Dylan and Lyle Levett etc......being on a Jazz CD by the country's  premier Jazz band.   Especially with the word 'Swing' in the title.

Never heard Bird playing with Hank Snow.    Just saying.

And of course you are looking for controversy.   It's ok.   This thread strives on controversy.

Cheers

Sahib Shihab was indeed an excellent composer, acman3.  That clip you posted of his composition “Companionship” is a rather strange, but great tune.  It also shows he was more than a baritone player; he plays nice flute on it.  He was also a fine alto player.  Here he is playing lead alto on a record by another name and composer/arranger (and piano player) that deserves attention here, Tadd Dameron.  Tadd Dameron penned tunes like “If You Could See Me Now” and “Hot House” which were recorded by countless jazz players; and his arranging skills were greatly sought after.  Interesting record with a great lineup playing Dameron’s beautiful arrangements in an octet setting; sometimes thought of as a “small big band”.  Aling with Shihab, Kenny Dorham is featured:

https://m.youtube.com/playlist?list=PL4ypuAMic-GjImEulJZVZfqmEy_Kji6ne


No, Rok; my comment was extremely clear and there was no need for controversy. The comment I was addressing referred to “the Lincoln Center” and I even agreed with your premise.  You just made it a controversy. Why not just clarify amicably and move on? Would be much nicer, no? Big boys and girls, remember?

Just messin' with you Frogman.   Chill.

Cheers

I had no idea Lincoln Center was that such a much.

**** I had no idea Lincoln Center was that such a much.****

My point precisely. 

I don't like controversy because it messes with the "groove". I know there are some people who don't know what that is (a groove), because every time things are flowing, and we got kind of a "groove" going on, they blow it.



         

Recent purchase.

This guy can sing like they used to sing back in the day. He is from Europe, so I am not sure if he has the intangible thingy. The right touch. He was part of the Playing for Change project.

Check it out.

https://www.youtube.com/watch?v=ZcsqhnpIByU


https://www.youtube.com/watch?v=_B09FBA5bxo


Cheers

The Piano Choir:


Nice enough, but, I never know what is the purpose  of music like this.

I get in the mood for Jazz, spirituals, Motown, R&B, Classical, even Christmas music.   I can't see myself ever being in the mood to listen to this.

Probably nice to see live.

Cheers


It is not written that we all like the same music all the time. There are a multiplicity of reasons why we like some music, and not other music; it might even have something to do with DNA, I've never studied it.


"I noticed your (meaning Rok) jazz queen of Croatia didn't comment on Mary Lou, but that wasn't surprising; taking all things into consideration she couldn't be expected to appreciate the blues."

Somehow, that got totally misinterpreted to mean this;


"Besides, I do not have to like all the music that you post, do I? Some of the postings are more and some are less my cup of tea. Only maybe if Alex posts a telephone book claiming that it is good jazz, I will probably like it or will catch myself thinkin’ do I like it, but that’s another thing. Don’t say this to Alex. However, I do appreciate all the contributors here. Do I really have to say it out loud to make it real?"

Please believe me, if I have ever uttered anything that mildly indicates anyone should like the music I like, please delete it as of this moment.


We all are "unique", and our tastes in music indicate that fact. On this thread, we post music that we like, in hopes that someone else will share our appreciation for that same music; however, "It ain't necessarily so".

I just stumbled across some music that I like and intend to buy;


          https://www.youtube.com/watch?v=lUmNtpJpm9o


Should I expect you to like it just because I like it? I think not.

Today's Mary Lou:

Mary Lou Williams -- SOLO RECITAL MONTREUX JAZZ FESTIVAL 1978

I could not find the complete album on you-tube but I am sure these cuts are from that album.

https://www.youtube.com/watch?v=ktmyulf11sQ  

https://www.youtube.com/watch?v=r37m0ptgbXc  

notes by Hentoff    skimpy and no photos

cheers

*****Should I expect you to like it just because I like it? I think not.*****


You think right.

Everything and everyone is judged by what and who went before them.   Going back in time, suppose you had tickets to a concert featuring Miles, or Morgan  etc...,  and Trane or Henderson  etc...., and when you got there you heard and saw what was on that clip.

Cheers

*****her playing is incredible, remind me of the great gato barbieri*****


from a commenter on the Nubya Garcia clip.


Nuff said.


Mary Lou Williams music is magic to me, and I don't quite no why. Since I can't explain it, not even to myself, I just chalk it up to another one of the mysteries in my life.

How many times have I heard "The Man I Love"? More times and versions than I can count have I heard this tune. Why is Mary Lou's version the most special for me? I don't know.

I'm just happy that I discovered music by an artist that I had written off as not being "modern", because she was not of the generation of Bird, Miles, Monk, and etc.
Why would Nubya Garcia be playing at a Coltrane, or Miles concert?

If  Miles or Coltrane were 25 today, and had the influence of the past 50 years, they might sound like Nubya, or Kamasi, And I hear both Coltrane and Miles in there playing, plus many more influences Coltrane and Miles never considered.

Today's Listen:

Kenny Barron Trio -- BOOK OF INTUITION

https://www.youtube.com/watch?v=FYwxQ1RsDYQ 

https://www.youtube.com/watch?v=FpxqmHImTTI  

I think he likes Monk.   Like Oscar Peterson and Gene Harris, this man does not make bad recordings.

Cheers

Post removed 

Sons of Kemet:

Was that a song or was the playback thingy stuck? Seems as if they played the same thing over and over.

On Impulse?? The label that Coltrane built?!?!? Blasphemy!!

Cheers

;


Sons of Kemet- "My Queen Is Harriet Tubman" is boss; I can't quite find a camp or category to put it in, and that's good, it means it's original.
Some great playing on this album by Jeep and Wild Bill Davis on the organ:

https://www.youtube.com/watch?v=YUe650EIK78

Les Spann: guitar and flute!
Sam Jones: bass
Louis Hayes: drums

I have all of the Johnny Hodges/Wild Bill Davis recordings and the newer remastered discs sound great.

Grant Green and Kenny Burrell play guitar on 2 of the discs


Kamasi Washington's music was like a breath of fresh mountain air; no pollution, just pure clean music.

I haven't heard music that I could get lost in, in a long time; this music takes me to places that I have never been but always wanted to go.

A song that used to belong to Billie Holiday.

https://www.youtube.com/watch?v=k3C9L6VzOdY   

Been posted before, but you really can't get too much of this.

Cheers

Today's Mary Lou:

Mary Lou Williams -- ZODIAC SUITE

Recorded in 1945.  Sound quality awesome.   The notes give a short synopsis of the Zodiac signs, and the person she had in mind when she wrote each piece for that sign.

Examples:

Gemini -- Paul Robeson,  Libra -- Art Tatum,  Scorpio -- Imogene Coco   Taurus -- Duke Ellington & Joe Louis      etc.....

https://www.youtube.com/watch?v=mXveXHcVsrI 

https://www.youtube.com/watch?v=VDqngdGw7Dk  

Interesting Concept.

Cheers


Rok, I've listened to all of Mary Lou's music that you have posted, and I found it to resonate with me in a fashion I don't quite understand; it's like a childhood memory that I can't quite recall, but it makes me feel good to try and think about it.

Even her versions of the most common tunes, like "My Blue Heaven", are so uniquely different, that they become brand new.

Mary Lou Williams has added much to my musical enjoyment.

I don't expect Mary Lou Williams music to affect everyone else, the same as it affects me.

*****I don't expect Mary Lou Williams music to affect everyone else, the same as it affects me.*****


It might not, nor should it.   Music is private.   I just finished 'conducting' 'Bolero' and '1812'.   At volume.   I hope no one was watching.

Glad you enjoyed Mary Lou.   Her history is almost as compelling as her music.  Gives "Against all odds" new meaning.

Cheers

Beautiful “Every Time We Say Goodbye”,  pjw.  Incredibly tender playing from Chet.  You know, as I think about it, it’s really not at all surprising that Chet Baker was also a singer.  It has long been recognized that many of the great instrumentalist ballad players (some are better ballad players than others) listen and pay close attention to the phrasing of the great vocalists.  When I hear Chet play a ballad this way I feel as if he’s singing.  There is less of a disconnect between the horn and his physical being compared to other players who sometimes pay more attention to the mechanics of playing the horn.  Simple, direct and with vocal like inflections and timing.  Quite beautiful.  Thanks for that.  

This is one of my very favorite vocal renditions of that beautiful song from one of my desert island recordings:

https://youtu.be/qkXYqUB-9NM


Caterina Valente's music reminds me of the beautiful "Victoria Gomez". I sat behind Victoria in the 6th grade, and her long silky braids fell across my desk. Have you ever seen a puppy look at another dogs tail, and unable to control his fascination, he had to play with it?

I don't mean to compare Victoria's braids to a dogs tail, but there they were, laying across my desk; I could not control myself, I had to play with them.

She turned around and gave me a look that would curdle your blood. When you're in love, any look is better than no look at all.


        https://www.youtube.com/watch?v=2Jsw1R-TNUc


        https://www.youtube.com/watch?v=HxcjwdC1HlE


        https://www.youtube.com/watch?v=twoagPvLILY


      https://www.youtube.com/watch?v=8iWO0b6PTxQ


      https://www.youtube.com/watch?v=KnpGtOhgc1o

Betty Carter has such a beautiful voice, I love her and that song with Ray Charles.


The best version, or our favorite version of a song does not necessarily have anything to do with artistic merit, but when that song affected us personally, and who first expressed that emotion in the song.


Carley Simon did it for me on her album "Film Noir";


    https://www.youtube.com/watch?v=YtlyEE9QCUI


    https://www.youtube.com/watch?v=mQZmCJUSC6g&list=RDmQZmCJUSC6g&start_radio=1&t=71



**** The best version, or our favorite version of a song does not necessarily have anything to do with artistic merit, but when that song affected us personally, and who first expressed that emotion in the song.****

A very personal call, obviously; and I wouldn’t assume that those criteria apply to everyone. Personally, I couldn’t say “does not necessarily have anything to do with artistic merit”. For me, for any version to be a favorite it has to meet a certain standard of artistic merit. That’s not to say that “most” artistic merit will make it my favorite; but a version lacking artistic merit is unlikely to be a favorite no matter the memories it may conjure up. Just me.

Speaking of good ballad players and singers.  One of the great ballads players and one who had a penchant for reciting some of the lyrics of a song before playing it:

https://youtu.be/CrvWtdBOQW8
frogman, That Ray Charles & Betty Carter rendition is fantastic as is the Carly Simon version posted by Orpheus.

That song seems to have a lot of beautiful renditions
Thank you Orpheus for the Caterina Valente links.

She certainly had a beautiful voice!
An added plus is that it’s a great sounding record.  Unfortunately, Ray’s records are not always that great sonically in my experience.  Not that it matters all that much since the music is always so strong. 

https://youtu.be/wB-KN4Ojjbk

https://youtu.be/-xBm5GRofeQ

With the great David “Fathead” Newman on tenor:

https://youtu.be/OLHKTZnfTbU



There never has been, nor will there ever be, anyone to compare to "Nina Simone"; she is in a category of "One".

In the beginning, I heard her artistic merit, and her virtuoso on piano; in the end, she conquered with raw power; her voice grabbed, and held you in it's vice.


            https://www.youtube.com/watch?v=Ow6fQbpUli4



        https://www.youtube.com/watch?v=4PMriloy62o




A song has a life of it's own, the same as any human being; that is, if you can hear into the song and really know what it's about; this song is about; "It ain't over until I say it's over, cause I put a spell on you"

This is three different versions of the same song, and I can hear the essence of the song on all three different versions.


          https://www.youtube.com/watch?v=a1AE_bCoPSI


In that second version by Nina, the guy on guitar nails the spirit of the song. Since it's "Screaming Jay Hawkins" song, he can do whatever he wants to.











"Dr John memorably described James Booker as "the best black, gay, one-eyed junkie piano genius New Orleans has ever produced."

Why did so many jazz genius's have to be junkies; it didn't help them to play better, no junkie would ever tell you that lie, but it's common knowledge according to the public.

Even if they were not musicians, they would have still been junkies, but that's another conversation.

Nina Simone:

The first 'Spell' was brilliant.   The lush strings, normally a disaster, actually makes this recording.

Notice at 1:55, she sings / scats what the Sax just played.   She going Ella on us?

Great clip.

The other two, not so good.


Cheers

*****"Dr John memorably described James Booker as "the best black, gay, one-eyed junkie piano genius New Orleans has ever produced."*****


As we used to say in Mississippi:

It takes one to know one.    we were soooooooooooo cool.

Cheers


I'm going to compare Nina Simone to the most beautiful and best jazz diva's of our time, and I want you to give your opinion.

I have a point to make, but not until after your evaluation.


        https://www.youtube.com/watch?v=D5Y11hwjMNs


        https://www.youtube.com/watch?v=bPovfFpX56k


I'm not going to make any comparison, I'll leave that to you. I just posted two versions of feeling good, for you to compare.

Try to pick two versions of the same song; one by Nina, and the other by your favorite diva.


I have a surprise valid point to be made after you have made comparisons and evaluations.


Nina was going downhill toward the end, so picking something at a bad time is a clear foul and wont count.

Lets give ourselves plenty of time for this; tomorrow afternoon sounds like a good time to conclude.
Orpheus,
I like the first link of a younger Nina Simone. Her vocals are ok on that one. Her piano playing was always good..


The second link she is older and it shows. You can hear it in her singing. Piano is still the same.

Throughout her entire career Simone's vocals never really did much for me. Just never grabbed me deep in my gut like Sarah Vaughn or Julie London.  I found her voice to be a little to much on the rough side. I'm not sure why but her voice does not make me feel subdued and mystified.


Simone is always listed in the top 10 or 5 on any top 50 female jazz vocalists you can google online and that says a lot about her prowess as a singer.


That being said, everybody hears things differently and on my list she would be higher up.

It’s a voice we’re supposed to hate. Gloomy, uninviting, and hoarse. Overpowering and booming in the low register, rocky and rasping when high. It’s often unstable, fluctuating within both pitch and timbre. Yet it’s these imperfections that make a voice so beautifully Nina Simone....Prescilla Bajomo.


Entire text here:http://www.dazeddigital.com/music/article/30957/1/nina-simone-s-complex-voice




Two of my favorite divas are Ella and Dee Dee.   It's hard to find the same song from Nina and other folks.   A lot of her songs were 'message' or protest songs.


Dee Dee:

https://www.youtube.com/watch?v=6sOygJsLDc4

Nina:

https://www.youtube.com/watch?v=aCuu5fOEB3Y 





Ella:  
https://www.youtube.com/watch?v=epRXoS_P0lk 

Nina:

https://www.youtube.com/watch?v=L5q9YGj3hNw


Cheers


The early recordings, as in VERY early, of Carmen McRae showed a perfect voice as clear as a mountain spring ! If you did not know who it was you would never guess it was Carmen .